Hearing a sound behind the arras or tapestry, Hamlet lashes out with his sword, stabbing the figure behind, believing it to be Claudius. The Ghost appears (visible only to Hamlet: Gertrude believes her son to be mad and that the Ghost is ‘the very coinage of brain’), and spurs Hamlet on.

So instead, Hamlet visits Gertrude, his mother, in her chamber, and denounces her for marrying Claudius so soon after Old Hamlet’s death. However, after the play, he catches Claudius at prayer, and doesn’t want to murder him as he prays because, if Claudius killed while speaking to God, he will be sent straight to heaven, regardless of his sins. Now Hamlet can proceed with his plan to murder him. Sure enough, Claudius responds to the performance of The Murder of Gonzago (or, as Hamlet calls this play-within-a-play, The Mousetrap) by exclaiming and then walking out, and in doing so he convinces Hamlet that he is indeed guilty and the Ghost is right. Ophelia is convinced Hamlet is mad for love, but Claudius believes something else is driving Hamlet’s behaviour, and resolves to send Hamlet to England, ostensibly on a diplomatic mission to get the tribute (payment) England owes Denmark. He tells her he never loved her, and orders her to go to a nunnery because women do nothing but breed men who are sinners. But we, the audience, know that Claudius almost certainly is guilty.Īfter he has meditated aloud about the afterlife, suicide, and the ways in which thinking deeply about things can make one less prompt to act (the famous ‘To be or not to be’ soliloquy), Hamlet speaks with Ophelia. This is significant because one of the main reasons Hamlet is being cautious about exacting revenge is that he’s having doubts about whether the Ghost was really his father or not (and therefore whether it spoke truth to him). At one point, in an aside, Claudius talks of his ‘conscience’, providing the audience with the clearest sign that he is indeed guilty of murdering Old Hamlet. Claudius and Gertrude ask Rosencrantz and Guildenstern what they made of Hamlet’s behaviour, and then the King and Queen, along with Polonius, hide so they can observe Hamlet talking with Ophelia.

Shakespeare william hamlet